Jan 302020
 

Leon Maloney

TransferMarkt.co.uk

Transfer : Portsmouth – FC Volendam


Leon Maloney has joined Dutch side FC Volendam for an undisclosed fee.


The 18-year-old winger progressed through the Blues academy and made five appearances for the first team.

All of those games came in the EFL Trophy, with his debut made in a 2-0 win at Southend last term.

Maloney has also appeared four times in this season's run to the semi-finals, scoring in December's 2-1 victory over Northampton at Fratton Park.

Volendam compete in the Eerste Divisie – the second tier of Dutch football – and are currently sitting inside the play-off positions.

Everyone at Pompey would like to thank Leon for his contribution to the club and wish him well for the future.

Portsmouth FC

Jan 282020
 

Match Report

Highlights

League 1




Pompey continued their run of fine form with a 2-0 victory at a Lincoln side who had been in imperious home form.

Ronan Curtis curled home a free-kick in the last piece of action of an otherwise lacklustre opening half.

And the Imps never really did enough to threaten that lead, with John Marquis wrapping things up from the spot after Neal Eardley had fouled Steve Seddon.

Kenny Jackett stuck with the same side that knocked Barnsley out of the FA Cup on home soil at the weekend.

Cameron McGeehan was ineligible for that game, but returned on the bench and was joined by the fit-again duo of Lee Brown and Ross McCrorie.

The hosts had an early opportunity when Jorge Grant’s cross drifted towards goal and landed on the roof of the net.

But the opening 45 minutes was a largely soporific affair, with neither side able to find any kind of fluidity and possession constantly changing hands.

A quick Lincoln break might have caused a few flutters in the away end of the ground, but Tyreece John-Jules settled any nerves by blazing high over the crossbar.

Pompey had periods of possession, although were lacking penetration in the final third as the contest continued to drift along.

There was pained expressions among every man in the crowd on 30 minutes after Andy Cannon’s shot hit a defender and ricocheted back into his nether regions.

The midfielder was then involved in a neat bit of build-up play involving Ryan Williams and Ben Close, with the latter’s ball glanced wide by Marquis, who had also strayed offside.

It appeared as though the interval would arrive without any meaningful incident, but the Blues suddenly picked up in stoppage-time.

Curtis fired one effort over, while Cian Bolger did well to stop James Bolton’s low delivery reaching Marquis in the box.

A fierce volley from Cannon was then blocked before, with time almost up, Seddon was bundled over just outside the box.

Close stood over the ball and Seddon feigned to take it, seemingly confusing Imps keeper Josh Vickers as CURTIS curled past his desperate grasp.


Half Time

Lincoln City 0

Portsmouth 1


A long-range attempt from Cannon flew not too far over the bar once the action resumed, as the Blues tried to find a cushion.

But the hosts should have been level soon after, as Tom Hopper beat former Imps defender Sean Raggett and cut back for an unmarked John-Jules to fire wastefully over.

There was still a lack of quality on show, but there was certainly more action than had been on offer prior to the break.

Curtis fizzed a low free-kick into the box and the ball bounced dangerously around before being cleared behind.

The Imps then embarked on a patient passing move up the pitch that ended with Raggett making a crunching – but fair – challenge on Tyler Walker inside the box.

A Grant free-kick was soon partially headed clear, although Conor Coventry’s follow-up was again off target.

Pompey broke quickly to carve out an opportunity of their own on 73 minutes, with Seddon having of acres of space to run into before seeing his low drive beaten away by Vickers.

Jackett made his first substitution moments later, with Cannon making way for McGeehan in the centre.

Raggett then appeared to hurt himself after sticking a foot in to block Walker’s shot, but the centre-back was able to continue after some treatment on the pitch.

Pompey were trying to wrap the match up and when a Curtis corner was only partially cleared, McGeehan curled the loose ball over.

And they had the opportunity to do just that when Seddon’s charge into the box was clumsily halted by Eardley.

Referee Ben Toner had a simple decision to make and immediately pointed to the spot, although spared the Imps defender a second booking.

MARQUIS stepped up to take the penalty and precisely squeezed the ball just inside the post to double the lead in front of the large – and noisy – travelling army.

Curtis might have added some icing to the cake late on, but Vickers made a smart stop to limit the damage for Lincoln.

Lincoln (4-4-2): Vickers; Eardley, Bolger, Shackell (c), Melbourne; Anderson (Walker 60), Morrell, Coventry (Hesketh 74), Grant; Hopper, John-Jules
Booked: Eardley, Grant, Morrell
Subs not used: Smith, Lewis, Edun, Chapman, Elbouzedi

Pompey (4-2-3-1): Bass; Bolton, Burgess, Raggett, Seddon; Naylor (c), Close; Williams, Cannon (McGeehan 76), Curtis; Marquis
Goals: Curtis 45+5, Marquis 87 (pen)
Booked: Close, Marquis, Naylor, Curtis
Subs not used: MacGillivray, McCrorie, Whatmough, Brown, Harness, Harrison

Referee: Ben Toner

Attendance: 8,983 (1,154 Pompey fans)

Portsmouth FC

Jan 272020
 

Anna And The Apocalypse

Trailer


PLOTIn Little Haven, Scotland, Anna Shepherd, who is about to finish school and plans to travel for a year before attending university, much to the displeasure of her widower father Tony. Her friends are dealing with their own issues: her best friend and artist John is secretly in love with her, budding filmmaker Chris is struggling with a class assignment, and transfer student Steph is trying to get her social justice reporting past the tyrannical vice principal Mr. Savage. Nick, Anna's one night stand, is also making her life difficult. The night of the school Christmas show, in which Chris's girlfriend Lisa is performing, Anna and John are working in the local bowling alley and Chris and Steph have gone to the homeless shelter to film for Steph's story. During this time, a zombie infection starts spreading and Lisa, Tony, Savage and Chris's grandmother are stranded in the school. Anna and John bond over her post-graduation plans after work.

The next morning, Anna and John leave for the school, completely oblivious to the zombie chaos around them. When they encounter a zombie dressed as a snowman, Anna decapitates him with a seesaw. Figuring it will be too dangerous to go home or to the school, they go to the bowling alley where they meet Steph and Chris, who have taken shelter there. Steph finds out that an army evacuation is coming to the school, so the group plans to go there once it is safe. Anna and Steph find the zombified cleaner and Steph kills her, alerting a group of zombified bowlers to break in. The group kills them all after a bloody fight and realise that getting to their loved ones will be difficult.

The next morning Anna, Steph, John, and Chris wake up to find that the army has been zombified and no evacuation is coming. Regardless, they set off to the school to see if their loved ones are still alive. Nick – who is greatly enjoying the carnage – and his friends rescue the group from a horde of zombies and join them on their way to the school. Anna tells John that she still plans to go travelling despite everything that has happened. At the school, Savage fights to maintain authority as the others plan their own evacuation.

The students cut through a Christmas tree emporium in an attempt to save time but are ambushed by zombies, which kill Nick's friends. Once they escape, John is bitten; he gets Anna to safety but sacrifices himself to distract the zombies. The survivors reach the school, where Savage has let the zombies in as a last-ditch measure of control. Anna and Nick split off to search for Tony while Steph and Chris look for his family and Steph's car keys. Nick reveals that his father asked Nick to kill him after he was bit, before distracting a group of zombies so that Anna can find her father. Chris finds Lisa but his grandmother had already died of a heart attack. Steph, Chris, and Lisa find the car keys in Savage's office but Chris and Lisa are bitten while trying to escape, having used Chris's video footage as a distraction.

Anna finds Savage in the auditorium, where he is using Tony as bait for the zombies. Anna gets to the stage and saves Tony, but he lashes out at Savage and they fight. Savage falls to the zombies but Tony is bitten in the scuffle. Anna says goodbye to her dad as Nick arrives, and the two of them leave the school. They prepare for one last stand before Steph rescues them in her car and Anna finally leaves Little Haven to look for a safe place .
2017Personal Rating60Rotten Critics77Rotten Audience62IMDb Rating60Combined Rating65.3

Movies IMDb Ella Hunt

Jan 262020
 

Hayley Atwell

Home Gallery Video


Hayley Atwell is a British-American actress.


Born : 5 April 1982 ( 38 )

She is best known for her portrayal of Peggy Carter in various films and television series set in the Marvel Cinematic Universe, including the lead role in the action-adventure series Agent Carter (2015–2016). She is also known for her work in stage productions, such as A View from the Bridge (2009), and onscreen, for period pieces, such as The Duchess (2008), the miniseries The Pillars of the Earth (2010) and her appearance as Evelyn Robin in Disney's live-action Winnie the Pooh film, Christopher Robin (2018).



Celebrity Hayley Atwell

Jan 252020
 

Match Report

Highlights

FA Cup 4




Pompey eased into the fifth round of the Emirates FA Cup with a dismantling of Championship strugglers Barnsley at Fratton Park.

They were in charge for most of the contest, but had to wait until late in the first half before Ben Close impressively broke the deadlock.

John Marquis then doubled the advantage in stoppage-time, only for a Cauley Woodrow stunner to ignite hopes of a comeback for the visitors.

They were quickly extinguished by Ronan Curtis, however, and Christian Burgess wrapped up a convincing victory, before Conor Chaplin grabbed a late Tykes consolation.

Kenny Jackett made three changes from the side that beat Bolton in the league the previous weekend.

Andy Cannon, Close and Ryan Williams all returned to the starting line-up, with the latter facing his former club.

Ellis Harrison and Marcus Harness both dropped to the bench, while Cameron McGeehan was unable to feature against the side he is on loan from.

Meanwhile, there was a familiar face in the opposition line-up, as ex-Fratton favourite Chaplin played up front.

The contest took a while to get going, but it was Pompey who looked the more threatening side as the first half progressed.

It was the skipper who had the first attempt, with Tom Naylor drilling a low shot narrowly wide when Cannon laid the ball into his path.

Cannon was then not quite able to get on the end of a Williams delivery after Curtis had ridden a challenge in the middle of the pitch and picked out the winger.

The Blues were looking particularly dangerous on the break, although had yet to test Brad Collins between the sticks.

But the keeper might have gifted the hosts an opener midway through the half, with his kick ricocheting off Marquis and rolling just past the post.

Collins then had to get down low to his right to keep out a low effort from Curtis following another pacy counter-attack.

But the deadlock was broken on 37 minutes after Cannon had not been afforded any space to get a shot away.

The midfielder instead laid the ball off for CLOSE to superbly arrow home from the edge of the box, drawing cries of ‘he’s one of our own’ from the Fratton faithful.

Collins then stopped his side falling further behind just before the break, superbly parrying Curtis’ shot behind following good work from Williams.

It was only a brief respite for the Tykes, though, as Curtis met the resulting corner from Steve Seddon and his header was touched over the line by MARQUIS.


Half Time

Portsmouth 2

Barnsley 0


Barnsley showed more attacking intent once the action restarted, although the Blues soon almost extended their lead further.

Curtis met a cross from Williams and his header hit Marquis, with Collins doing well to stop the ball crossing the line.

The hosts were on top and playing some neat football, as they looked to put the tie out of the Reds’ reach.

But their lead was halved from nowhere on the hour mark, as Woodrow hit a stunning 30-yard strike that left Alex Bass with no chance.

And Barnsley should have soon been level, with Jacob Brown wastefully prodding wide from a few yards out.

He was made to pay his profligacy just a few seconds later, as CURTIS raced onto a long ball over the top by Bass, held off a defender and fired home off the inside of the post.

It had been a quiet return for Chaplin, but he had two opportunities in quick succession to hurt his former club.

His first attempt was bravely blocked by Burgess, while the striker was then unable to beat Bass from an acute angle.

From coming to the rescue at one end, BURGESS then scored the Blues’ fourth goal of the afternoon – just a week after opening his account for the season.

Williams’ effort was deflected behind for a corner, which Seddon whipped into the box for the centre-back to firmly head into the net.

That was Williams’ last contribution, with the winger replaced by Harness, exiting the pitch from the north side and enjoying a standing ovation as he made his way around the pitch.

The newcomer almost added a fifth goal on 82 minutes, but Collins was quickly off his line to prevent him from converting Curtis’ pass.

Pompey fans were certainly enjoying themselves, singing songs about Wembley and paying tribute to Chaplin.

And the Barnsley striker did reduce his side’s deficit in stoppage-time, following up to find the net after Bass had denied Brown.

But the hosts had comfortably done enough to book their place in Monday evening’s fifth round draw – the first time they have reached that stage since getting to the final in 2010.

Pompey (4-2-3-1): Bass; Bolton, Burgess, Raggett, Seddon; Naylor (c), Close; Williams (Harness 78), Cannon (Evans 90), Curtis; Marquis (Harrison 90+2)
Goals: Close 37, Marquis 45+1, Curtis 62, Burgess 76
Subs not used: MacGillivray, Whatmough, Haunstrup, Hawkins

Barnsley (4-1-2-1-2): Collins; J.Williams, Sollbauer, Andersen, Oduor; Halme (Dougall 69); Thomas (Mowatt 46), Ritzmaier; Woodrow (c); Brown, Chaplin
Goals: Woodrow 60, Chaplin 90+1
Subs not used: Radlinger, Ludewig, B.Williams, Styles, Schmidt

Referee: Graham Scott

Attendance: 13,286 (681 away fans)

Portsmouth FC

Jan 212020
 

Terry Jones

1 February 1942   –   21 January 2020



TereryJones, writer, actor and director, and member of Monty Python has died aged 77.

One morning Brian Cohen, completely naked, flung open the shutters at his bedroom window to find a mob below hailing him as the Messiah. Mrs Cohen, played by Terry Jones, who has died aged 77, had something to say about that. “He’s not the Messiah. He’s a very naughty boy,” she told the disappointed crowd. It became a classic cinema moment.

The 1979 film Monty Python’s Life of Brian, a satire about an ordinary Jewish boy mistaken for the Messiah, which Jones directed and co-wrote with his fellow Pythons Graham Chapman, John Cleese, Terry Gilliam, Eric Idle and Michael Palin, was banned by 39 British local authorities, and by Ireland and Norway. Jones and his chums were unrepentant: they even launched a Swedish poster campaign with the slogan: “So funny it was banned in Norway.”

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As for Jones’s performance as Mandy Cohen, it united two leading facets of the funnyman’s repertoire: his fondness for female impersonation, and his passion for historical revisionism. The latter was evident not just in his work for Monty Python – in which his historian’s sensibility proved essential to the satire of Arthurian England in Monty Python and the Holy Grail (1975), which he co-directed and co-wrote – but also in several documentaries and books in which he stood up for what he took to be the misrepresented Middle Ages.

“We think of medieval England as being a place of unbelievable cruelty and darkness and superstition,” he said. “We think of it as all being about fair maidens in castles, and witch-burning, and a belief that the world was flat. Yet all these things are wrong.”

Arguably, without Jones, Monty Python’s Flying Circus (1969-74) would not have revolutionised British TV comedy. He was key in developing the show’s distinctively trippy, stream-of-consciousness format, where each surreal set-up (the Lumberjack Song, the upper-class twit of the year show, the dead parrot, or the fish-slapping dance) flowed into the next, unpunctuated by punchlines.

For all his directorial flair, though, Jones may well be best remembered for creating such characters as Arthur “Two Sheds” Jackson, Cardinal Biggles of the Spanish Inquisition, the Scottish poet Ewan McTeagle and the monstrous musician rodent beater in the mouse organ sketch who hits specially tuned mice with mallets.

Thanks to the show’s success, Jones was able to diversify into working as a writer, poet, librettist, film director, comedian, actor and historian. “I’ve been very lucky to have been able to act, write and direct and not have to choose just the one thing,” he said.

Jones was a second world war baby, born in Colwyn Bay, north Wales, and brought up by his mother, Dilys (nee Newnes), and grandmother, while his father, Alick Jones, was stationed with the RAF in India. He recalled meeting his father for the first time when he returned from war service: “Through plumes of steam at the end of the platform, he appeared – this lone figure in a forage cap and holding a kit bag. He ran over and kissed my mum, then my brother, then bent down and picked me up and planted one right on me. I’d only ever been kissed by the smooth lips of a lady up until that point, so his bristly moustache was quite disturbing.”

When he was four, the family moved to Surrey so his father could take up an appointment as a bank clerk. Terry attended primary school in Esher and the Royal Grammar school in Guildford. He studied English at St Edmund Hall, Oxford, and developed a lifelong interest in medieval history as a result of reading Chaucer.

At Oxford, he started the Experimental Theatre Company with his friend and contemporary Michael Rudman, performing everything from Brecht to cabaret. He also met Palin and the historian Robert Hewson, and collaborated with them on a satire on the death penalty called Hang Down Your Head and Die. It was set in a circus ring, with Jones playing the condemned man. He and Palin then worked together on the Oxford Revue, a satirical sketch show they performed at the 1964 Edinburgh festival, where he met David Frost as well as Chapman, Idle and Cleese.

After graduation, he was hired as a copywriter for Anglia Television and then taken on as a script editor at the BBC, where he worked as joke writer for BBC2’s Late Night Line-Up (1964-72). Jones and Palin became fixtures on the booming TV satire scene, writing for, among other BBC shows, The Frost Report (1966-67) and The Kathy Kirby Show (1964), as well as the ITV comedy sketch series Do Not Adjust Your Set (1967-69).

In 1967, he and Palin were invited to write and perform for Twice a Fortnight, a BBC sketch show that provided a training ground not only for a third of the Pythons (Jones and Palin), but two-thirds of the Goodies (Graeme Garden and Bill Oddie) and the co-creator of the 1980s political sitcom Yes Minister, Jonathan Lynn.

Jones and Palin wrote and starred in The Complete and Utter History of Britain (1969) for LWT. Its conceit was to relate historical incidents as if TV had existed at the time. In one sketch, Samuel Pepys was a chat show host; in another, a young couple of ancient Britons looking for their first home were shown around the brand-new Stonehenge. “It’s got character, charm – and a slab in the middle,” said the estate agent.

In the same year, he became one of the six founders of Monty Python’s Flying Circus. They expected the show to be quickly decommissioned by BBC bosses. “Every episode we’d be there biting our nails hoping someone might find it funny. Right up until the middle of the second series John Cleese’s mum was still sending him job adverts for supermarket managers cut out from her local newspaper,” Jones recalled. “It was only when they started receiving sackfuls of correspondence from school kids saying they loved it that we knew we were saved.”

After Python finished its run on TV, Jones went on to direct several films with the troupe. The first, Monty Python and the Holy Grail, was, he recalled, “a disaster when we first showed it. The audiences would laugh for the first five minutes and then silence, nothing. So we re-cut it. Then we’d show it in different cities, saying, ‘We’re worried about our film, would you come and look at it?’ And as a result people would come and they’d all be terribly worried about it too, so it was a nightmare.”

He had more fun co-writing and directing two series for the BBC called Ripping Yarns (1976-79) in which Palin starred as a series of heroic characters in mock-adventure stories, among them Across the Andes by Frog, and Roger of the Raj, sending up interwar literature aimed at schoolboys.

Jones directed and starred in Monty Python’s Life of Brian, which some religious groups denounced for supposedly mocking Christianity. Jones defended the film: “It wasn’t about what Christ was saying, but about the people who followed him – the ones who for the next 2,000 years would torture and kill each other because they couldn’t agree on what he was saying about peace and love.”

In 1983 he directed Monty Python’s The Meaning of Life, in which he made, perhaps, his most disgusting appearance, as Mr Creosote, a ludicrously obese diner, who is served dishes while vomiting repeatedly.

During this decade Jones diversified, proving there was life after Python. In 1980, he published Chaucer’s Knight: The Portrait of a Medieval Mercenary, arguing that the supposed paragon of Christian virtue could be demonstrated to be, if one studied the battles Chaucer claimed he was involved in, a typical, perhaps even vicious, mercenary. He also set out to overturn the idea of Richard II presented in the work of Shakespeare “who paints him more like sort of a weak … unmanly character”. Jones portrayed the king as a victim of spin: “There’s a possibility that Richard was actually a popular king,” he said.

He wrote children’s books, starting with The Saga of Erik the Viking (1983), which he composed originally for his son, Bill. A book of rhymes, The Curse of the Vampire’s Socks (1989), featured such characters as the Sewer Kangaroo and Moby Duck.

In 1987, he directed Personal Services, a film about the madam of a suburban brothel catering for older men, starring Julie Walters. The story was inspired by the experiences of the Streatham brothel-keeper Cynthia Payne. Jones proudly related that three of four films banned in Ireland were directed by him – The Life of Brian, The Meaning of Life and Personal Services.

Two years later, he directed Erik the Viking, a film adaptation of his book, with Tim Robbins in the title role of a young Norseman who declines to go into the family line of raping and pillaging. In 1996, he adapted Kenneth Grahame’s Wind in the Willows for the big screen, giving himself the role of Mr Toad, with Ratty and Mole played by Idle and Steve Coogan. But it was rarely screened in cinemas. “It was ruined by studio politicking between Disney and Columbia Tristar,” he said. “We made a really nice film but no one saw it. It didn’t make any money, even though it was well reviewed.”

Jones was also unfortunate with his next film project. Absolutely Anything, based on a script he wrote with the screenwriter Gavin Scott, concerned aliens coming to Earth and giving one person absolute power. Plans were scuppered when a movie with a similar premise, Bruce Almighty, starring Jim Carrey, was released in 2003. Only in 2015 did Jones manage to film Absolutely Anything, in which Simon Pegg, playing a mild-mannered schoolteacher, is given miraculous powers by a council of CGI aliens voiced by Jones and his former Monty Python colleagues. Robin Williams, in one of his last roles, voiced Pegg’s dog.

Jones made well-received history documentaries, including in 2002 The Hidden History of Egypt, The Hidden History of Rome and The Hidden History of Sex & Love, in which he examined the diets, hygiene, careers, sex lives and domestic arrangements of the ancient world, often appearing in the films as an ancient character, sometimes dressed as a woman.

In his book Who Murdered Chaucer? (2003), he wondered if the poet had been killed on behalf of King Henry IV for being politically troublesome.

He wrote for the Guardian, about the poll tax, nuclear power and the ozone layer. He became a vocal opponent of the Iraq war, and his articles on the subject were collected under the title Terry Jones’s War on the War on Terror (2004).

In his 2006 BBC series Barbarians, Jones sought to show that supposedly primitive Celts and savage Goths were nothing of the kind and that the ancient Greeks and Persians were neither as ineffectual nor as effete as the ancient Romans supposed. Best of all, he sought to demonstrate that it was not the Vandals and other north European tribes who destroyed Rome but Rome itself, thanks to the loss of its African tax base.

When Jones was asked what he would like on his tombstone, he did not want to be remembered as a Python, perhaps surprisingly, but for his writing and historical work. “Maybe a description of me as a writer of children’s books or maybe as the man who restored Richard II’s reputation. I think those are my best bits.”

In 2016, it was announced that Jones had been diagnosed with primary progressive aphasia, a form of dementia that impairs the ability to communicate. He and his family and friends spoke about his experiences to help others living with the condition.

Jones is survived by his second wife, Anna (nee Söderström), whom he married in 2012, and their daughter, Siri; and by Bill and Sally, the children of his first marriage, to Alison Telfer, which ended in divorce.

Obituries

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