Dave W

Located in Portsmouth UK

Jan 282016
 

Kieron Freeman

Loan : Sheffield United – Portsmouth



Pompey have signed Kieron Freeman on loan from Sheffield United for the remainder of the season.

The 23-year-old – who will wear the number 17 shirt during his time at Fratton Park – can play on the left or right side of defence.

He said: “I got the call from the gaffer and I was excited to come down here because it’s a really big club.

“I know quite a few of the boys already and that will certainly help me to settle in quickly.

“I’ve played in front of big crowds at Sheffield United before and I know that Pompey also have an impressive following.

“So I’m looking forward to getting some more games under my belt and hopefully help to get this team promoted.”

Freeman has scored twice in 43 appearances for the Blades since signing from Derby in January 2015.

The Nottingham Forest academy graduate also enjoyed a spell on loan at Bramall Lane the previous season.

Freeman has featured 22 times this term, with Sheffield United currently sitting just outside the play-off places in League One.

He appeared – and scored – in their FA Cup first round victory over Worcester, so is cup-tied for this weekend’s clash with Bournemouth.

Portsmouth FC

Jan 262016
 

Singer-songwriter Colin Vearncombe, who performed under the name Black, has died at the age of 53, two weeks after being injured in a car crash.

The Liverpool singer, whose 1987 single Wonderful Life was a top 10 hit around the world, suffered head injuries in the crash in Ireland on 10 January, and was placed in an induced coma.

He died on Tuesday surrounded by his family in hospital, his publicist said.

His wife Camilla said she was “deeply grateful” to staff who cared for him.
The father-of-three, who was in intensive care at Cork University Hospital, “died peacefully” with his family at his side “who were singing him on his way”, a statement said.
“Colin received the best possible care from the expert and highly professional staff there and we are deeply grateful for everything they did,” his wife and three sons said in a statement.

Fellow Liverpool musician Pete Wylie of 80s band The Mighty Wah! paid tribute to his friend on Twitter, saying the news was “just so very sad”.
“I want to send all the love I can muster to Colin’s parents, brother & partner + to all who loved him, and who he loved too,” he wrote.
“I could still sing the very first song Colin recorded with me in the WAH! studio. I remember it that clearly. And that voice!”

Born in Liverpool in 1962, Vearncombe had his first top 10 hit with the single Sweetest Smile in June 1987 when he was 25 years old.
His second hit song Wonderful Life, which he had previously released but only got to number 72 in the charts, made the top 10 in the UK, Switzerland, Germany, France, Austria, the Netherlands and Italy.

However, despite having found fame, Vearncombe later said “the pop star life” was not as he had imagined it.
“I was frustrated by how few of the people in the music world I respected. Maybe I just didn’t go to the right clubs. I’ve never been a great schmoozer or networker and the idea of setting out to meet a certain type of people is anathema to me,” he said.
“It was two years of disappointment – I didn’t have any wild sex, I’m not a druggie, so I was just digging a hole for myself.”

Wonderful Life has since been used in numerous advertisements and films, and has been covered by artists including Tina Cousins and Katie Melua.
The album of the same name sold more than 1.5 million copies and peaked at number three.

Although he is best known for Wonderful Life and another 1980s single Sweetest Smile, Vearncombe released 15 albums under his own name.
Last year, he returned to his original stage name for a crowd-funded album, Blind Faith, which received positive reviews.
He has also published poetry and staged exhibitions of his paintings in south-west Ireland, where he lived in later life.
Hundreds of fans wrote messages of support on the musician’s Facebook page following the crash.
His publicist said there would be a private funeral, as well as a memorial service for him in Liverpool “as we know there are many, many people who will want to celebrate Colin’s life and work”.

Jan 232016
 

Portsmouth 0 v 1 Oxford United

Pompey lost ground on the automatic promotion places with a 1-0 home defeat to Oxford.

Jordan Bowery came off the bench to score the only goal of the game late on at a packed Fratton Park.

Goalkeeper Ryan Fulton had earlier conceded and then saved a penalty in a memorable debut for the teenager.

The Blues’ best chance came before the break when Marc McNulty’s effort was cleared off the line.

Paul Cook made two changes from the side that knocked Ipswich out of the FA Cup earlier in the week.

Fulton was thrown straight into the side after completing his loan switch from Liverpool the previous day.

He replaced the injured Brian Murphy in goal, while Christian Burgess made way for Matt Clarke in defence.

Oxford, meanwhile, were without former Fratton striker Ryan Taylor, with ex-Pompey boss Michael Appleton moving top scorer Kemar Roofe up front.

The game began at a frantic pace and continued in that vein for the rest of the first half.

But the Fratton faithful were not happy with a number of decisions by Neil Swarbrick and gave the referee a standing ovation when he finally awarded their side a free-kick.

The visitors looked an attacking threat, although Fulton was not being overworked on his debut.

He did, however, have to come charging out of his box on 16 minutes to beat Danny Hylton to the ball.

Johnny Mullins and Roofe both headed over from set-pieces, while George Baldock fired a shot into the side netting.

But it was the Blues who almost broke the deadlock on 19 minutes after Gary Roberts and McNulty traded clever passes inside the box.

The latter then controlled the ball neatly before firing in a shot that Jake Wright had to clear from the line.

Kyle Bennett also came close with a 20-yard free-kick that was deflected narrowly over the crossbar.

The game was still being played at a breathtaking speed as the interval drew nearer, but the closest Oxford came to a goal was when Liam Sercombe drilled wide.

Half Time: Pompey 0 Oxford 0

The pace did not let up following the restart and United were given a chance to forge ahead on 51 minutes.

Hylton burst into the box and Fulton caught the striker as he tried to beat him to the ball, with Swarbrick immediately pointing to the spot.

But the keeper went from villain to hero, diving to his right to save Sercombe’s penalty and then brilliantly recovering to stop him converting the loose ball.

Cook made his first substitution soon after, with Adam Barton making way for Ben Close in midfield.

Pompey then won a couple of corners, with Ben Davies’ delivery for the second just too high for Adam Webster at the far post.

Cook injected a fresh attacking impetus into his side on 63 minutes, as Adam McGurk came on for Roberts.

It was Close who lined up a long-range drive moments later, however, only to see his shot blocked before it could reach the goal.

The Blues were now on top, but Roofe caused concern at the other end when he swung in a free-kick from wide on the left that somehow evaded everyone on its way out of play.

And it was Oxford who took the lead on 76 minutes when Bowery collected Wright’s long ball forward and guided a shot into the bottom corner.

Cook made one last throw of the dice by bringing on Conor Chaplin in place of McNulty in Pompey’s attack.

But it was McGurk who came closest to grabbing an equaliser, only to guide his header straight into the arms of United keeper Sam Slocombe.

Pompey (4-2-3-1): Fulton; Davies, Webster, Clarke, Stevens; Barton (Close 54), Doyle (c); Evans, Roberts (McGurk 63), Bennett; McNulty (Chaplin 82)
Subs not used: Jones, Burgess, Tollitt, Naismith

Oxford (4-4-2): Slocombe; Baldock, Mullins, Wright (c), Skarz; MacDonald (Bowery 69), Lundstram, Sercombe, O’Dowda (Evans 82); Hylton (Hoban 88), Roofe
Goals: Bowery 76
Booked: Mullins
Subs not used: Buchel, Long, Dunkley, Ruffels

Referee: Neil Swarbrick

Attendance: 17,840 (2,047 away fans)

Portsmouth FC
Jan 222016
 

Nicke Kabamba

Loan : Liverpool – Portsmouth



Portsmouth have sealed a youth loan deal for the Liverpool keeper, who has arrived until the end of the season.

Fulton will go straight into the first-team picture for the promotion battle with Oxford United.

The 19-year-old has yet to make a senior Liverpool appearance, but the Scottish under-21 international is highly regarded at Anfield.

Cook explained he is still looking to do business with recruits and add quality to his ranks.

He said: ‘We want to make our team better.

‘We have money, so I believe. I read it in The News! That’s how me, Mark Catlin and Tony Brown speak!

‘It’s going well. The supporters can be happy in the fact the club has come a long way.

‘The cup runs and full houses add to what is a club moving forward.

‘When we go into the market we are bringing in players who improve us.

‘The club has put itself in that position and we are all happy to be there.

‘We have to look ahead now irrespective of where we are or where we think we’ll be looking ahead.

‘In the end, if you have good players you will end up where you want to be.

‘The foundations are strong.

‘What are foundations? They are something which make you better in the future.

That’s what we’re trying to do.’

Portsmouth FC

Jan 202016
 

Nigel Atangana has joined Leyton Orient for an undisclosed fee.

Orient, Crawley and Ebbsfleet were among a number of clubs trailing the out-of-favour midfielder.

But Atangana yesterday opted for the League Two side following the agreement of a transfer fee with Pompey.

The 26-year-old had already been told by Paul Cook there will be no new deal when his existing contract expires at the season’s end – now he has bid farewell to Fratton Park.

The Frenchman’s last appearance was as a substitute at Carlisle in November and since has seen Danny Hollands, Ben Close and Adam Barton preferred as one of the two holding midfielders.

With Paul Cook keen to reduce his sizeable squad this month, Atangana had been a prime candidate to depart, alongside Matt Tubbs.

A broken leg for Hollands at Ipswich earlier this month potentially opened the door for the Frenchman, while Michael Doyle has played through injury.

As a result, Atangana travelled with the team to Accrington Stanley last weekend with the possibility of being named on the bench.

Instead the game was called off because of a frozen pitch.

On Tuesday night against Ipswich, Barton partnered Doyle in midfield, with Close on the bench – yet there was no Atangana once again in the squad, albeit with his Orient move imminent.

It means he was named only once in Pompey’s last 10 squads, despite being available.

Yet he started the first eight league matches of the Cook era before falling away from the side.

Atangana joined Pompey from the Hawks for an undisclosed fee in the summer of 2014, going on to make 48 appearances and score once.

Portsmouth FC
Jan 192016
 

Portsmouth 2 v 1 Ipswich Town

Pompey set up a fourth round clash with Premier League side Bournemouth in the Emirates FA Cup after beating Ipswich at Fratton Park.

They dominated their higher-ranked opponents from the start and Gary Roberts broke the deadlock from the penalty spot.

Marc McNulty doubled the advantage before the break and arguably should have finished the tie with a hat-trick.

Ainsley Maitland-Niles reduced the deficit with a fine second half strike, although Piotr Malarczyk’s red card dented the Tractor Boys’ hopes of finding an equaliser.

Paul Cook made three changes from the side that drew 2-2 at Portman Road 10 days earlier.

Christian Burgess returned from an ankle injury to take his place in defence, meaning that Adam Barton switched to a more familiar midfield role.

There were also starts for skipper Michael Doyle and Gareth Evans, with Adam McGurk and Ben Close dropping to the bench.

Former Pompey forward Luke Varney once again led the line for Mick McCarthy’s Championship visitors.

The hosts soon took control of the tie and Kyle Bennett had an early opportunity, but could not force the ball home from a tight angle.

There was a rare opportunity at the other end on four minutes when Doyle’s header was intercepted by Brett Pitman, who sent a shot looping onto the roof of the net.

But the Blues were quickly back on the attack and Roberts hit a free-kick into the wall after Malarczyk had been booked for a foul on McNulty.

Josh Emmanuel then did well to get ahead of Evans and stop the winger from converting a dangerous cross from Ben Davies.

It was Evans who started a fine attacking move for Pompey on 30 minutes when he stole possession in the centre of the pitch.

He fed Barton, who in turn found McNulty, but Bartosz Bialkowski raced off his line to deny the striker.

The home support did not have to wait much longer to celebrate an opening goal, however.

Referee Andy Woolmer pointed to the spot when Malarczyk brought down Roberts in the box, although he opted not to show the Polish defender a second yellow card.

ROBERTS picked himself up to take the penalty and although Bialkowski got a hand to it, the keeper could not prevent the ball spinning into the net.

And the Fratton faithful were in dreamland a few minutes later, when the dominant Blues doubled their advantage.

Evans stood up a fine cross from wide on the right and McNULTY rose to head the ball home at the far post.

Half Time: Pompey 2 Ipswich 0

It was probably to be expected that the visitors would come out with renewed vigour after the interval.

But instead Pompey continued to play with confidence and they should have gone further ahead on 50 minutes.

Evans sent McNulty through on goal, but Bialkowski again came to Ipswich’s rescue with a fine save, while the loose ball was hooked over the line.

The Blues kept pushing forward and had another opportunity when Bennett was brought down by Josh Emmanuel just outside the box.

Roberts laid the ball off for the hovering Doyle, who hit a ferocious effort that fizzed narrowly past the post.

Pompey were also looking composed at the other end of the pitch and when Tommy Oar delivered a dangerous cross, Adam Webster calmly chested it down for Brian Murphy to collect.

But, out of nowhere, the Tractor Boys suddenly found themselves back in the tie on the hour mark.

It was a stunning 20-yard strike from on-loan Arsenal winger Maitland-Niles that flew into the top corner leaving Murphy with no chance.

Pompey immediately tried to restore their two-goal lead and Bennett was inches away from connecting with McNulty’s ball.

The chances were starting to fade as the half progressed, although Ipswich had an opening when Varney brought down a long goal-kick, only for Pitman to blaze over.

Their hopes of forcing extra-time received a blow on 77 minutes when Malarczyk brought down Roberts and was sent off for a second bookable offence.

And Pompey comfortably saw out the closing stages to book a fourth round date with the Cherries at the end of the month.

Pompey (4-2-3-1): Murphy; Davies, Burgess (Close 85), Webster, Stevens; Barton, Doyle (c); Evans, Roberts (Chaplin 82), Bennett; McNulty
Goals: Roberts 32 (pen), McNulty 37
Subs not used: Bass, May, Tollitt, Naismith, McGurk

Ipswich (4-4-2): Bialkowski; Emmanuel, Malarczyk, Digby, Kenlock; Maitland-Niles (Robinson 89), Hyam (c), Tabb (Coke 71), Oar; Varney (Toure 76), Pitman
Goals: Maitland-Niles 60
Sent off: Malarczyk (two yellow cards)
Subs not used: Gerken, Hammond, McDonnell, McLoughlin

Referee: Andy Woolmer

Attendance: 15,179 (796 away fans)

Portsmouth FC
Jan 142016
 

James Dunne has left Pompey by mutual consent.

The 26-year-old midfielder – who has spent the past two months on loan at Dagenham – has now signed for Cambridge.

He joined the Blues in the summer of 2014 and scored one goal in 39 appearances during his time at Fratton Park.

But his only game this season was as a late substitute in the Capital One Cup defeat to Reading.

Portsmouth FC
Jan 142016
 

British actor Alan Rickman, whose career ranged from Britain’s Royal Shakespeare Company to the Harry Potter films, has died. He was 69.

His sonorous, languid voice was his calling card – making even throwaway lines of dialogue sound thought-out and authoritative.
It could also be laced with threat, something he employed to great effect in Die Hard, Robin Hood: Prince of Thieves and the eight Potter films, where he played scheming potions master Severus Snape.

But he could also take on romantic leads, as in Anthony Minghella’s 1991 drama Truly, Madly, Deeply and later turned his hand to directing.

Born in Acton, west London, Rickman was the second of four children for Margaret Doreen Rose, a housewife, and Bernard Rickman, a painter and decorator.
His father died of lung cancer when he was just eight years old, leaving his mother to seek out work to feed her family.
“She was a tigress,” he later said. “She could do anything. She had various jobs, she got trained in various others, she always reinvented herself.”

The young Rickman showed an interest in the arts from an early age and trained in graphic design and typography at the Royal Academy of Art, writing for the college journal, ARK while he was there.
After graduation he opened a graphic design studio, Graphiti, with several friends – but theatre was always lurking in the background and after three years he quit to become an assistant stage manager at the small Basement Theatre Company.

Then, aged 26, he found himself posting a letter to Royal Academy of Dramatic Art (Rada) asking for an audition. To his surprise, he was accepted.
“Fortunately I wasn’t actually the oldest person there,” he later reflected.
Upon graduation, he worked for a number of repertory companies before becoming a member of the Royal Shakespeare Company (RSC), sharing a house in Stratford with Ruby Wax.
But he left after a season, disillusioned by the company and declaring he wanted to “learn how to talk to other actors on stage rather than bark at them”.

He was soon seduced by the small screen, playing Tybalt in a BBC production of Romeo and Juliet (1978) and taking roles in Smiley’s People and The Barchester Chronicles (both 1982).
A return to the RSC in 1985 was more rewarding as the actor, having shed some of his youthful angst, took the starring role in Christopher Hampton’s Les Liaisons Dangereuses.
He portrayed the drawling sexual connoisseur Vicomte de Valmont, who “slips sly and inscrutable through the action like a cat who knows the way to the cream,” said the Guardian in its original review.
Rickman’s co-star, Lindsay Duncan, was less coy – saying the audiences would leave the theatre wanting to have sex “and preferably with Alan Rickman”.
The show transferred to the West End and then to Broadway, where the actor secured the first of two Tony nominations.

His next role – as sharp-tongued terrorist Hans Gruber in Die Hard – was to make him internationally famous. As he squared off against a sweaty Bruce Willis, his urbane put-downs and coldly-calculated violence helped raise the film above the standard blockbuster fare.
The actor also provoked a showdown on the set when he refused to throw fellow actress Bonnie Bedelia to the floor, as required by the script.
“My character was very civilised in a strange sort of way and just wouldn’t have behaved like that,” he said. “Nor would Bonnie’s character, a self-possessed career woman, have allowed him to. It was a stereotype – woman as eternal victim – that they hadn’t even thought about.”

The star brought similar thoughtfulness to his later roles, notably Truly, Madly Deeply – in which he played the ghost of Juliet Stevenson’s boyfriend, who comes back to ease her grief.
He continued to essay villains, stealing scenes from Kevin Costner in Robin Hood: Prince of Thieves, as he screamed “No more merciful beheadings and call off Christmas!”
And his sensitive portrayal of Severus Snape allowed audiences a glimpse of the character’s anguished past long before JK Rowling revealed it in the books.
“He had a real understanding of the character and now looking back, you can see there was always more going on there – a look, an expression, a sentiment – that hint at what is to come,” said the franchise’s producer, David Heyman.
“The shadow that he casts in these films is a huge one and the emotion he conveys is immeasurable.”

But Rickman was no method actor – stepping out of character to playing pranks on his fellow cast members, some of which were caught on camera.
His other film credits included Sweeney Todd, Michael Collins, Dogma and The Hitchhiker’s Guide to the Galaxy, in which he brought pathos to the voice of eternally depressed robot Marvin The Paranoid Android. (Rickman’s own distinctive voice, he later revealed, was a speech impediment caused by restricted movement in his jaw – a condition with which he was born.)

He worked often with Emma Thompson, after being cast as Col Brandon in her adaptation of Sense and Sensibility. He went on to play her (unfaithful) husband in Love Actually and later directed her in Scottish drama The Winter Guest, his first film behind the camera.
His second film as director, A Little Chaos, starred another Sense and Sensibility cast member, Kate Winslet, as Sabine, who is chosen to build one of the main gardens at King Louis XIV’s new palace at Versailles.

While promoting the film, Rickman, who also played King Louis, spoke of the difficulty of holding down two jobs on set, quoting his friend Ralph Fiennes, who told him: “The danger of directing yourself is that you are embarrassed about going for another take.”
On stage, he reunited with Liaisons Dangereuses director Howard Davies and co-star Lindsay Duncan in 2002 for Noel Coward’s Private Lives, which transferred to Broadway after a successful run in London, earning Rickman his second Tony nod.
Less successful was his 1996 interpretation of Hamlet, which was panned by critics who called it “a palpable miss”.
Other stage performances included Mark Antony opposite Helen Mirren’s Cleopatra at the Olivier Theatre in London and the title role in Ibsen’s John Gabriel Borkman at the Abbey Theatre in Dublin in 2010.

He also directed the award-winning 2005 play My Name is Rachel Corrie about the American student who was killed by an Israeli army bulldozer in the Gaza Strip.
The star was notoriously reluctant to discuss the art of acting, saying it was “too, too hard” to explain. But speaking to Bafta last year, he described his profession as “the act of giving yourself over to once upon a time”.
Rickman is survived by his wife Rima Horton, who he met as a teenager in art school and married in New York last year.

He had completed several films before his death, including Eye in the Sky, about drone warfare in Kenya, which is due for release in March and Tim Burton’s Alice Through the Looking Glass.

Jan 102016
 

David Bowie has died of cancer aged 69

David Bowie was one of the most influential musicians of his time, constantly re-inventing his persona and sound, from the 1960s hippy of Space Oddity, through Ziggy Stardust and the Thin White Duke to his later incarnation as a soulful rocker.

Where before, artists and groups either evolved their musical style and appearance or remained unchanging, David Bowie seemed to be in permanent revolution.
He defied any label. Music, fashion, sexuality: all were Bowie’s playthings. He was truly an artistic chameleon.
Bowie was born David Jones in January 1947 but reinvented himself as David Bowie, in 1966, in order to avoid confusion with the Monkees’ Davy Jones.

He went on to study Buddhism and mime, and released his first album, the World of David Bowie, in 1967.
But it was the title track of his second album, Space Oddity, which aroused more than passing interest.
The atmospheric tale of an abandoned astronaut, Major Tom, orbiting the Earth, Space Oddity became a hit in 1969, the year of the first Moon landing.
Initially a hit throughout Europe, it took four years to “break” the United States.

Ziggy Stardust

Bowie followed up this initial success with The Man Who Sold the World, a complex album, whose title track has been covered by artists as diverse as Lulu and Nirvana.
His second album of 1971, Hunky Dory, was arguably Bowie’s first great work. Its 11 songs, including the haunting Life on Mars? and Oh, You Pretty Things, redefined serious rock for the 1970s generation.
And a line from Hunky Dory’s final track, The Bewlay Brothers, seemed to perfectly sum up David Bowie, “chameleon, comedian, Corinthian and caricature”.

The following year saw the release of The Rise and Fall of Ziggy Stardust and the Spiders from Mars, a superbly-executed concept album which included hits like Starman, Suffragette City and Rock ‘n’ Roll Suicide.
The album’s huge popularity and the accompanying tour, featuring Bowie as the sexually ambiguous Ziggy, brought him worldwide stardom.
By now married to the former Angie Barnett (divorced in 1980) and with a young son, Zowie (now film director Duncan Jones), Bowie was a hedonist of breathtaking scale, living a rock and roll lifestyle fuelled by drink, drugs and vigorous bisexuality.
Having killed off Ziggy, 1973 brought Aladdin Sane, which cemented Bowie’s reputation in the United States.
Songs like Cracked Actor explored the dark, seedy, side of fame, while Jean Genie was an old-fashioned rocker.
As well as writing and performing, Bowie now branched out, producing Lou Reed’s Transformer album and writing and producing Mott the Hoople’s hit single, All the Young Dudes.

Berlin sojourn.

While he was touring with his next album, the apocalyptic Diamond Dogs, David Bowie recorded the Young Americans album in Philadelphia.
This dalliance with “plastic soul” continued on the album Station to Station and brought Bowie hits including Golden Years, Knock on Wood and his first US number one single, Fame, co-written with John Lennon and Carlos Alomar.

But, once more, David Bowie changed direction, moving to Berlin and working on a triptych of albums, Low, Heroes and Lodger.
Produced in collaboration with Brian Eno, these dense works were perhaps the most experimental of Bowie’s career, mixing electronic sounds and avant-garde lyrics to produce a radical, and influential, song cycle.
The late 1970s saw Bowie concentrating on acting, starring in Nicolas Roeg’s The Man Who Fell to Earth and opposite Marlene Dietrich in the lamentable Just a Gigolo.
The critically acclaimed Lodger album was followed by Scary Monsters, notable for its groundbreaking video accompaniment and the single Ashes to Ashes, which updated the story of Major Tom.

Actor and web pioneer

But 1983 saw a new, driven, David Bowie return to form with the Let’s Dance album.
Hits like China Girl and Modern Love, coupled with the spectacular Serious Moonlight world tour, introduced Bowie to a whole new generation.
And his 1985 duet with Mick Jagger, a cover version of Martha and the Vandellas’ Dancin’ in the Street, was a major factor in the success of the Band Aid project and its accompanying Live Aid concert.

Bowie returned to acting, playing the lead in The Elephant Man on Broadway as well as typically exotic characters in the films Cat People and The Hunger.
The late 1980s were dominated by Bowie’s involvement with his new band, a postmodernist heavy metal outfit, Tin Machine.
This project, which was designed to allow Bowie to re-examine his rock ‘n’ roll roots, produced two albums of questionable quality and was panned by the listening public and critics alike.

As proof of his enduring popularity, in 2000 he was invited to headline the world-famous Glastonbury festival for the second time, nearly three decades after his debut there.
Bowie’s 2002 album Heathen saw a long-awaited return to form for the indefinable master of rock style, and the man who, throughout his long and varied career, influenced everyone from Iggy Pop to Boy George.

In 2006, he made a surprise return to the big screen, playing a fictional version of real-life Serbian-American inventor Nikola Tesla in Christopher Nolan’s illusionist drama The Prestige, for which he adopts a thick Eastern European accent.
After a decade without a studio album he released The Next Day in 2013, surprising fans who thought he had retired. It became his first UK number one for 20 years.
The same month, a retrospective of his career, “David Bowie Is…” opened at the V&A in 2013, becoming the museum’s fastest-selling show, celebrating his legacy as a style icon as well as a musician and performer.

His latest album, the critically acclaimed Blackstar, was released on his 69th birthday, just days before his death.
He is survived by his second wife, Iman Mohamed Abdulmajid, and children Duncan Jones, the acclaimed sci-fi director, and Alexandria Zahra Jones.

Jan 092016
 

Ipswich Town 2 v 2 Portsmouth

Pompey will take their place in the fourth round draw for the Emirates FA Cup following a 2-2 draw at Portman Road.

They were totally on top against their Championship opponents in the opening 45 minutes and carved open a number of chances.

But it was the hosts who broke the deadlock through Tommy Oar early in the second half.

The Blues hit back, though, and Kyle Bennett levelled before substitute Conor Chaplin’s strike looked to have secured a cup upset.

But there was still time for Ryan Fraser to grab a late leveller and ensure that the sides will have to do it all again at Fratton Park.

Paul Cook made four changes from the side that beat Crawley in the league the previous week.

Gary Roberts was handed his first start for more than two months and wore the captain’s armband in the absence of Michael Doyle.

Matt Clarke was unable to feature against his parent club, so Adam Barton was once again used as a makeshift defender.

There were also starts for Adam McGurk and Ben Close, with Caolan Lavery ineligible and Gareth Evans dropping to the bench.

Former Pompey striker Luke Varney started for the hosts, while Roberts and Brian Murphy were both featuring against their former club.

The visitors might play their league football two divisions below the Tractor Boys, but they were certainly not over-award.

It was the Blues who dominated from the start and it took a vital block from Paul Digby to deny Marc McNulty in the opening stages.

McGurk then climbed above his marker to reach Roberts’ cross at the far post, only to see his header deflected wide.

Ipswich were struggling to see much of the ball and their supporters grew increasingly frustrated as the first half progressed.

Roberts should have done better when he connected with Enda Stevens’ cross on 20 minutes, but could only guide the ball over the bar.

The large travelling support were enjoying themselves, chanting ‘ole’ with every completed pass.

One such period of play ended with Barton sending McNulty clear, but Bartosz Bialkowski was quickly down to his right to palm clear the striker’s low drive.

The keeper was called into action again moments later, this time doing well to keep out a Bennett snap-shot from the edge of the box.

Ipswich finally threatened with a counter-attacking move just before the break, but Barton kept his composure to cut out Oar’s through ball.

Half Time: Ipswich 0 Pompey 0

The hosts, unsurprisingly, looked sharper at the start of the second half – no doubt following a few harsh words from Mick McCarthy.

And they forged ahead on 53 minutes when Ben Davies was unable to keep out Oar’s effort on the line after Murphy had done well to keep out an initial shot from Brett Pitman.

If the home support thought that would trigger a landslide, though, they were to be disappointed.

Not even two minutes had passed when Pompey deservedly drew level, as Roberts and McNulty combined to tee-up BENNETT for a cool finish into the bottom corner.

And they almost forged ahead on 65 minutes, with Bialkowski only just keeping out McNulty’s fierce strike at the near post.

The game was certainly an open affair by now, as both sides sought to avoid a replay by finding a second goal.

Cook made his first change on 74 minutes, withdrawing Close and handing Adam May just a third senior appearance.

And a second switch soon followed as the tiring Roberts made way for Chaplin in Pompey’s forward line.

The Blues were then forced into making a final change on 81 minutes when Danny Hollands picked up a knock and was replaced by Brandon Haunstrup.

Ipswich came close to grabbing a late winner moments later, with Fraser only able to find the side netting from a tight angle.

But it was the Blues who were celebrating on 86 minutes when CHAPLIN collected the ball 20 yards out and steered a precise shot right into the bottom corner.

There was still time for the hosts to hit back, though, as Fraser swung a free-kick straight into the net from wide on the left.

Five minutes of stoppage-time meant that both sides still had the chance to increase the scoring, but an exciting game was not able to deliver one last twist.

Ipswich (4-4-2): Bialkowski; Chambers (c), Malarczyk, Digby (Smith 63), Knudsen; Maitland-Niles (Fraser 58), Skuse, Hyam, Oar; Pitman, Varney (Sears 74)
Goals: Oar 53, Fraser 88
Booked: Skuse
Subs not used: Gerken, Bru, Tabb, Kenlock

Pompey (4-2-3-1): Murphy; Davies, Barton, Webster, Stevens; Close (May 74), Hollands (Haunstrup 81); Roberts (c) (Chaplin 78), McNulty, Bennett; McGurk
Goals: Bennett 55, Chaplin 86
Booked: Barton
Subs not used: Bass, Boco, Tollitt, Evans

Referee: David Coote

Attendance: 17,020 (2,494 Pompey fans)

Portsmouth FC