Dave W

Located in Portsmouth UK

Sep 172016

Ariel Winter

Variety and Women in Film’s Pre-Emmy Celebration in West Hollywood

16 September 2016

Ariel Winter Workman (born January 28, 1998), better known as Ariel Winter, is an American actress, voice actress, and singer. She is known for her role as Alex Dunphy in the comedy series Modern Family, as well as the voice of the title character in the Disney Junior show Sofia the First and the voice of Penny Peterson in the 2014 animated film Mr. Peabody and Sherman. Winter and her Modern Family castmates have won four Screen Actors Guild Awards for Best Ensemble in a Comedy Series.

Celebrity Pictures   .   Picture Of The Day   .   Ariel Winter

Sep 162016

Tickets now purchase for the Janet Devlin World Tour (well UK Tour actually)

Currently one of my favourite singers, can’t wait

EDIT – Guess who fucked up big time! Yes me. Already seeing The Levellers that night. Double fuck. Hope she tours again

Sep 102016

League Two

4 – 2

Blues move up to second

Pompey fought from behind against Wycombe to stretch their winning streak to four league matches.

Paul Hayes’ opener was not in the script, but Christian Burgess’ leveller lifted everyone and Gary Roberts then converted a penalty.

An equaliser from Hayes dampened the mood, but a superb Conor Chaplin strike restored the Blues’ lead before the break and Carl Baker made sure of the points after it.

Paul Cook unsurprisingly stuck with the same side that beat Crawley so convincingly the previous week.

It was the hosts who threatened first at a damp and gloomy Fratton Park, with showers frequently interrupting proceedings.

Gary Roberts slipped a quick free-kick through to Milan Lalkovic, but his cut-back was well claimed by Jamal Blackman with Curtis Main waiting to pounce.

The Wycombe keeper was pretty conspicuous with his bleached blonde hair and decked out in a garish pink and luminous green kit.

But it was his opposite number who was next called into action and David Forde denied Aaron Pierre after a Sam Wood cross had caused chaos in the Blues box.

And the visitors were ahead on 10 minutes, with Hayes left in too much space to convert Garry Thompson’s volleyed delivery.

That appeared to spark Pompey into life, although they were growing frustrated at the Chairboys’ attempts to slow things down.

There were cries from the crowd and bench that the visitors were spending too long over set-pieces and referee Tim Robinson was forced to calm an irate Cook down.

And the Blues soon started doing their talking on the pitch, with Main’s header deflected over by Pierre after Baker had picked the striker out.

Unfortunately, Main injured himself during the challenge and was forced to disappear down the tunnel to be patched up.

But he failed to reappear, and Chaplin was brought on to replace him – but not before Wood had almost doubled Wanderers’ lead with an effort that bounced off the crossbar and into the arms of a grateful Forde.

The Blues were starting to take control of proceedings and the newcomer saw his curling effort blocked.

Lalkovic was then unable to dig the ball out from under his feet following a good Enda Stevens’ ball into the box.

But the hosts were level on 34 minutes as Baker picked up a Lalkovic corner and although his shot was saved by Blackman, BURGESS was on hand to bundle the ball over the line.

Chaplin and Baker then both saw strikes blocked as Pompey tried to turn up the pressure and forge ahead.

And that is exactly what they did late in the half after Gareth Evans met Baker’s cross and saw his header blocked by the arm of Sido Jombati.

Robinson pointed straight to the spot and ROBERTS stepped up to emphatically continue his prolific streak with a rocket into the roof of the net.

But, amazingly, there was still time for both sides to add a further goal each in a breathless end to the first half.

First, there was no Blues defender picking up Hayes, who was able to volley a fine curling finish past Forde.

It looked like the sides would go in level at the break, only for a moment of genius from CHAPLIN to lift the Fratton faithful.

The striker ran onto Roberts’ pass, lifted the ball over Anthony Stewart and then, with Blackman off his line, calmly sent a header looping over the keeper and into the net.

Half Time

(3 – 2)

Lalkovic did not return following the interval, with Kal Naismith instead taking up the attacking role wide on the left.

Wycombe had a chance to level soon after the restart, but Stewart was unable to guide Wood’s cross on target.

There was immediately an even better chance at the other end, with Roberts somehow failing to turn home Chaplin’s cross from just a few yards out.

But the Blues did increase their advantage on 53 minutes, as Stevens sent the ball to the far post, where BAKER was waiting to squeeze in a volley at Blackman’s near post.

That did not stop Pompey from trying to add to the lead, however, and Naismith bent a shot narrowly over

Blackman then made a mess of dealing with a couple of routine Chaplin efforts, only to escape any punishment.

Wycombe threw on a couple of strikers in Dayle Southwell and Adebayo Akinfenwa to try to find a way back into the game.

It was still Pompey looking more likely to add to the scoring, though, and Stevens was not quite able to beat Blackman from an acute angle following a flowing passing move.

Ultimately, there were to be no more goals, but that mattered not as the Blues saw the rest of the game out to move up to second in the table.

Pompey (4-2-3-1): Forde; Evans, T.Davies, Burgess, Stevens; Rose, Doyle (c); Baker, Roberts (Hunt 88), Lalkovic (Naismith 46); Main (Chaplin 25)
Goals: Burgess 34, Roberts 43 (pen), Chaplin 45+3, Baker 53
Booked: Roberts, Baker, T.Davies
Subs not used: O’Brien, Clarke, Linganzi, Smith

Wycombe (4-1-4-1): Blackman; Jombati (Akinfenwa 80), Stewart, Pierre, Harriman; Rowe (McGinn 86); Thompson, Bloomfield, Gape, Wood; Hayes (c) (Southwell 80)
Goals: Hayes 10, 45
Booked: Pierre, Jombati, Thompson, Gape, Rowe, Blackman, Stewart
Subs not used: Richardson, De Havilland, Kashket, Freeman

Referee: Tim Robinson

Attendance: 16,262 (489 away fans)

Portsmouth FC

Sep 042016

Jennifer Love Hewitt



Gallery update

Jennifer Love Hewitt (born February 21, 1979) is an American actress, television producer and director, singer/songwriter and author. Hewitt began her acting career as a child by appearing in television commercials and the Disney Channel series Kids Incorporated. She rose to fame for her role as Sarah Reeves Merrin on the Fox teen drama Party of Five (1995–1999). She later starred in the horror film I Know What You Did Last Summer (1997) and its 1998 sequel.

From 2005 to 2010, Hewitt starred as Melinda Gordon on the CBS supernatural drama Ghost Whisperer, for which she won two Saturn Awards in 2007 and 2008. She later starred on the Lifetime drama series The Client List from 2012 to 2013, and was previously nominated for a Golden Globe Award for the pilot film. From 2014 to 2015, she starred as Special Agent Kate Callahan on the CBS crime drama Criminal Minds. In addition to acting, she has served as a producer on some of her film and television projects.

As a singer, Hewitt has been signed by Atlantic Records and Jive Records, and is primarily known for her recordings in the pop genre. She has released four studio albums, including Love Songs (1992), Let’s Go Bang (1995), Jennifer Love Hewitt (1996) and BareNaked (2002). Her most successful single on the Billboard Hot 100 is the 1999 release “How Do I Deal”, which peaked at number 59. She has also contributed music to the promotion or soundtracks of acting projects. Hewitt was identified as the “number one reader choice” on the November 1999 and May 2009 covers of Maxim magazine. TV Guide named her the sexiest woman on television in 2008.

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Celebrity Pictures   .   Jennifer Love Hewitt

Sep 032016

League One

3 – 0

Blues good run continues

Pompey eased to a third successive league win, courtesy of three first half goals against a hapless Crawley side at Fratton Park.

The damage was done inside the first 12 minutes, with Curtis Main breaking the deadlock before Gary Roberts continued his prolific scoring spell.

It was Main who added a third goal before the break, allowing the Blues to comfortably see out the second half and claim their three points.

Paul Cook made one enforced change from the side that won at Exeter in the last league outing.

Drew Talbot was suffering from a hamstring injury and with Adam Buxton and Calvin Davies also sidelined, Gareth Evans had to deputise at right-back.

Before kick-off there was a minute’s applause for Pompey Ladies president Dave Coyle, who sadly passed away recently.

The hosts immediately launched into an energetic attacking display, looking to get forward at every opportunity and play with a high tempo.

Roberts tried to take advantage of some uncertain defending by chasing down a poor back-pass in the opening seconds, but Crawley keeper Yusuf Mersin just about beat him to the ball.

The Red Devils then had their best chance of the half, only for James Collins to hit his shot into the ground and watch it fly wide.

Most of the action was taking place at the other end of the pitch, however, and Michael Doyle was not quite able to dig the ball from out of his feet and test Mersin.

But the deadlock was broken on eight minutes, as MAIN opened his Fratton Park account.

Enda Stevens latched onto a pass down the left and then cut the ball back for the striker to lash into the roof of the net.

That certainly got the home fans off their seats and they were in dreamland moments later when the Blues doubled their advantage.

And it was no surprise who scored it either, with Danny Rose stealing possession from Alex Davey and ROBERTS picking up the loose ball to rifle home his fourth goal in three games.

Pompey refused to sit back and protect their lead, though, as they set about trying to find a third.

Mark Connolly was clever enough to spot Roberts’ cute pass through to Main and make a vital interception.

Roberts tried to pick out the striker again soon after, only this time Davey rose highest to clear the danger.

MAIN did add a third goal before the interval, however, being in the right place to convert from close range after Mersin could only parry away a deflected effort from Milan Lalkovic.

There was still time for Crawley to launch a rare attack, but, under pressure from Christian Burgess, Jason Banton could only fire wide.

Half Time: Pompey 3 Crawley 0

Half Time

(0 – 0)

It was a more sedate pace at the start of the second half, although Carl Baker wasted a good opening by dragging his shot wide.

Main then had a chance to seal his hat-trick, but spun and fired wide after Roberts’ neat flick had released Evans down the right.

Cook made his first switch just past the hour mark, with Main receiving warm applause as he made way for Conor Chaplin.

Crawley had a chance at the other end when Tom Davies was booked for a foul on Banton, with Burgess sticking out a leg to clear Jimmy Smith’s free-kick.

There was a definite sense of the game winding down as the heavens opened and heavy rain began to fall.

That might have contributed to a spot of sloppy defending from the hosts, who survived through some last-gasp defending before Smith’s shot was saved by David Forde.

Roberts was then given a deserved rest and replaced by Kal Naismith for his first home appearance of the season.

The final switch saw Michael Smith come on for the lively Lalkovic and he almost netted in stoppage-time following a quick break, but hit his shot agonisingly past the post.

It mattered little, however, as Pompey had, in truth, wrapped the game up by half-time to seal yet another league triumph.

Pompey (4-2-3-1): Forde; Evans, T.Davies, Burgess, Stevens; Rose, Doyle (c); Baker, Roberts (Naismith 72), Lalkovic (Smith 82); Main (Chaplin 65)
Goals: Main 9, 37, Roberts 12
Booked: Main, T.Davies
Subs not used: O’Brien, Clarke, Linganzi, Hunt

Crawley (4-2-3-1): Mersin; Young, Connolly, Davey, Blackman (Arthur 52); Smith (c), Yorwerth (Payne 52); Boldewijn, Banton, Yussuf (Bawling 68); Collins
Booked: Blackman
Subs not used: Beeney, McNerney, Clifford, Tajbakhsh

Referee: Ben Toner

Attendance: 16,347 (435 away fans)

Portsmouth FC

Aug 312016

Adam Barton

Partick Thistle

Versatile Blues player heads north of the border

Adam Barton has signed for Partick Thistle for an undisclosed fee.

The midfielder-turned-defender has penned a three-year deal with the Scottish Premiership side.

He made 26 appearances for Pompey after signing from Coventry last summer and featured in the Checkatrade Trophy defeat at Yeovil on Tuesday evening.

The 25-year-old will be looking to help the Jags climb the table, with the Glasgow outfit currently sitting one place off the foot of the table.

Portsmouth FC
Aug 312016

The Vanessa Hudgens Page

Vanessa Anne Hudgens (born December 14, 1988) is an American actress and singer. Hudgens rose to prominence playing Gabriella Montez in the High School Musical series. Hudgens has also appeared in various films and television series for the Disney Channel. She had her feature film debut in the 2003 film Thirteen, a teenage drama in which Hudgens had a supporting role. She had mainstream success following the release of the High School Musical trilogy, and her relationship with co-star Zac Efron was heavily publicized. Her appearance in the series helped make her a household name. Songs from the films also charted worldwide, with the song “Breaking Free” peaking inside the Top 10 of the Billboard Hot 100. This led to Hudgens releasing her debut album, V, on September 26, 2006 which entered the Billboard 200 at number 24, and was later certified gold. Her second album, Identified, was released on July 1, 2008 in the United States.

Since the release of her albums and the High School Musical franchise, Hudgens has focused on her acting career. She has appeared in the films Bandslam (2009), Beastly (2011), Sucker Punch (2011), Journey 2: The Mysterious Island (2012), Spring Breakers (2013), and Machete Kills (2013). She has also played the title role in the Broadway musical Gigi in 2015, and the role of Rizzo in Grease: Live in 2016.

Celebrity Pictures . Vanessa Hudgens
Aug 302016
EFL Trophy
Yeovil Town 4 – 3 Portsmouth


EFL Trophy fails to excite

A new-look Pompey side suffered defeat in their first Checkatrade Trophy group stage match at a sparsely-populated Huish Park.

In a game that was full of attacking verve, but short on defensive solidity, it was Yeovil who emerged with all three points.

That is despite an impressive hat-trick from Michael Smith, who looked full of confidence leading the line for the Blues.

But a brace from Thomas Eaves, as well as goals from Bevis Mugabi and Izale McLeod, ensured the treble counted for little.

Paul Cook changed the entire side that started the league victory at Exeter at the weekend.

Liam O’Brien was handed his debut between the sticks, while there was a first appearance for Matt Clarke since he made a permanent Blues switch.

But the keeper was almost picking the ball out of his net before the first minute had passed, with McLeod bursting through on goal and firing against the post.

The former Pompey striker had another opportunity soon after and this time fired into the side netting from an acute angle.

It was the Blues who broke the deadlock after eight minutes, however, when the impressive Kal Naismith whipped in a pin-point cross from the left and SMITH rose to convert with a bullet header.

But the lead was short-lived, as Yeovil won a free-kick 35 yards out and Matthew Dolan’s shot was diverted in by Mugabi.

McLeod then had the ball in the back of O’Brien’s net again, although the linesman had long since raised his flag for offside.

It certainly counted just seconds later, though, when Eaves neatly controlled a ball over the top and calmly slotted home.

Pompey were still looking a real threat going forward, but both Gareth Evans and Smith failed to trouble Glovers keeper Jonathan Maddison with headers.

It was a different story at the back, however, as a defence containing three midfielders and someone making their first appearance of the season unsurprisingly struggled.

And McLeod made the most of that by netting against his old side on 27 minutes, playing a neat one-two with Otis Khan before lifting the ball over O’Brien.

Still the goals kept coming and this time it was Pompey who found the target thanks to a fine goal.

Naismith picked out SMITH in the box and the striker brought the ball under control before turning and firing into the bottom corner.

But no sooner had the Blues got themselves back into the game, they conceded a fourth, with Eaves allowed far too much time to burst forward and find the net.

Half Time: Yeovil 4 Pompey 2


Second Half

The start to the second half was not quite as explosive as the first, although Eaves fired over in his search for a hat-trick.

Evans then collected Ben Tollitt’s low cross at the other end, but was not given the time or space to get a decent shot away.

Eaves may have been denied his treble, but SMITH made sure of the matchball when he rose at the back post to head home a deep cross from Adam May.

Pompey immediately made their first substitution, with Tollitt making way and Conor Chaplin looking to join in the goal spree.

One quick break saw him cynically tugged back by Liam Shephard, earning the Yeovil defender a yellow card.

He then surged forward to join Evans in a counter-attack, only to be forced wide and then curl his eventual shot over.

It was Smith who almost drew the Blues level with his fourth of the evening on 72 minutes, but he could not quite get the ball from under his feet and fired narrowly over.

That was his last involvement, as he was withdrawn for Noel Hunt, receiving warm applause from the small pocket of travelling fans.

There was then a late moment of controversy when Amine Linganzi diverted a corner towards the goal.

Maddison was able to smother the ball, but Pompey were adamant it had crossed the line, only for their appeals to fall on deaf ears.

The visitors kept up their attacking intent as they went in search of a leveller, but Yeovil held on for the victory.

Yeovil (4-1-4-1): Maddison; Shephard, Mugabi, Smith (c), Butcher; Lawless; Khan (Copp 89), Whitfield (Lea 75), Dolan, Eaves; McLeod
Goals: Mugabi 13, Eaves 22, 39, McLeod 27
Booked: Shephard, Khan
Subs not used: Krysiak, Sowunmi, Bassett

Pompey (4-2-3-1): O’Brien; May, Barton, Clarke (T.Davies 61), Naismith; Close, Linganzi; Evans, Bennett (c), Tollitt (Chaplin 55); Smith (Hunt 73)
Goals: Smith 10, 37, 54
Booked: Barton, Close
Sub not used: Hall

Referee: Kevin Johnson

Attendance: 1,534 (270 Pompey fans)

Portsmouth FC
Aug 292016

Comedy legend Gene Wilders has died

Gene Wilder, who established himself as one of America’s foremost comic actors with his delightfully neurotic performances in three films directed by Mel Brooks; his eccentric star turn in the family classic “Willy Wonka and the Chocolate Factory”; and his winning chemistry with Richard Pryor in the box-office smash “Stir Crazy,” died early Monday morning at his home in Stamford, Conn. He was 83.

A nephew, the filmmaker Jordan Walker-Pearlman, confirmed his death in a statement, saying the cause was complications of Alzheimer’s disease.

Mr. Wilder’s rule for comedy was simple: Don’t try to make it funny; try to make it real. “I’m an actor, not a clown,” he said more than once.

With his haunted blue eyes and an empathy born of his own history of psychic distress, he aspired to touch audiences much as Charlie Chaplin had. The Chaplin film “City Lights,” he said, had “made the biggest impression on me as an actor; it was funny, then sad, then both at the same time.”

Mr. Wilder was an accomplished stage actor as well as a screenwriter, a novelist and the director of four movies in which he starred. (He directed, he once said, “in order to protect what I wrote, which I wrote in order to act.”) But he was best known for playing roles on the big screen that might have been ripped from the pages of the Diagnostic and Statistical Manual of Mental Disorders.

He made his movie debut in 1967 in Arthur Penn’s celebrated crime drama, “Bonnie and Clyde,” in which he was memorably hysterical as an undertaker kidnapped by the notorious Depression-era bank robbers played by Faye Dunaway and Warren Beatty. He was even more hysterical, and even more memorable, a year later in “The Producers,” the first film by Mr. Brooks, who later turned it into a Broadway hit.

Mr. Wilder played the security-blanket-clutching accountant Leo Bloom, who discovers how to make more money on a bad Broadway show than on a good one: Find rich backers, stage a production that’s guaranteed to fold fast, then flee the country with the leftover cash. Unhappily for Bloom and his fellow schemer, Max Bialystock, played by Zero Mostel, their outrageously tasteless musical, “Springtime for Hitler,” is a sensation.

The part earned Mr. Wilder an Academy Award nomination for best supporting actor. Within a few years, the anxious, frizzy-haired, popeyed Mr. Wilder had become an unlikely movie star.

He was nominated for a Golden Globe for his performance as the wizardly title character in “Willy Wonka and the Chocolate Factory” (1971). The film was a box-office disappointment, partly because of parental concern that the moral of Roald Dahl’s story — that greedy, gluttonous children should not go unpunished — was too dark in the telling. But it went on to gain a devoted following, and Willy Wonka remains one of the roles with which Mr. Wilder is most closely identified.

His next role was more adult but equally strange: an otherwise normal doctor who falls in love with a sheep named Daisy in a segment of Woody Allen’s “Everything You Always Wanted to Know About Sex but Were Afraid to Ask,” in 1972. Two years later, he reunited with Mr. Brooks for perhaps the two best-known entries in either man’s filmography.

In “Blazing Saddles,” a raunchy, no-holds-barred spoof of Hollywood westerns, Mr. Wilder had the relatively quiet role of the Waco Kid, a boozy ex-gunfighter who helps an improbable black sheriff (Cleavon Little) save a town from railroad barons and venal politicians. The film’s once-daring humor may have lost some of its edge over the years, but Mr. Wilder’s next Brooks film, “Young Frankenstein,” has never grown old.

Mr. Wilder himself hatched the idea, envisioning a black-and-white film faithful to the look of the Boris Karloff “Frankenstein,” down to the laboratory equipment, but played for laughs rather than for horror. He would portray an American man of science, the grandson of the infamous Dr. Frankenstein, who tries to turn his back on his heritage (“that’s Frahn-kahn-STEEN”) but finds himself irresistibly drawn to Transylvania to duplicate his grandfather’s creation of a monster in a spooky mountaintop laboratory.

Mr. Brooks’s original reaction to the idea, Mr. Wilder recalled, was noncommittal: “Cute. That’s cute.” But he eventually came aboard as director and co-writer, and the two garnered an Oscar nomination for their screenplay.

Serendipity played a role in the casting. Mr. Wilder’s agent asked him to help find work for two new clients, and thus Marty Feldman became Frankenstein’s assistant, Igor (“that’s EYE-gor”), and Peter Boyle the monster. Madeline Kahn, whose performance as the chanteuse Lili Von Shtupp had been a highlight of “Blazing Saddles,” played the doctor’s socialite fiancée. Cloris Leachman was Frau Blücher, the sound of whose name caused horses to whinny in fear.

The name Blücher, Mr. Wilder said in a 2008 interview with The San Jose Mercury News, came from a book of letters to and from Sigmund Freud: “I saw someone named Blücher had written to him, and I said, ‘Well, that’s the name.’” And Mr. Wilder certainly knew a lot about Freud.

His first of many visits to a psychotherapist is the opening scene in the memoir he published in 2005, “Kiss Me Like a Stranger: My Search for Love and Art.”

“What seems to be the trouble?” the therapist asks.

“I want to give all my money away,” he says.

“How much do you have?”

“I owe three hundred dollars.”

Soon the jokes and evasions give way to the torments of sexual repression, guilt feelings and his “demon,” a compulsion, lasting several years, to pray out loud to God at the most embarrassing times and in the most embarrassing places. But never onstage or onscreen, where he felt free to be someone else.

Gene Wilder was born Jerome Silberman in Milwaukee on June 11, 1933. His father, William, a manufacturer and salesman of novelty items, was an immigrant from Russia. His mother, the former Jeanne Baer, suffered from rheumatic heart disease and a temperament that sometimes led her to punish young Jerry angrily and then smother him with regretful kisses.

He spent one semester at the Black-Foxe Military Institute in Hollywood. His mother saw it as a great opportunity; in reality, it was a catch basin for boys from broken families, where he was regularly beaten up for being Jewish.

Safely back home after that misadventure, he played minor roles in community theater productions and then followed his older sister, Corinne, into the theater program at the University of Iowa. After Iowa, he studied Shakespeare at the Bristol Old Vic Theater School in England, where he was the first freshman to win the school fencing championship.

He next enrolled part time at the HB Studio in New York, while also serving a two-year Army hitch as an aide in the psychiatric unit of the Valley Forge Army Hospital in Pennsylvania — an assignment he requested because, he said, “I imagined the things I would see there might relate more to acting than any of the other choices.” He added, “I wasn’t wrong.”

After his discharge, he won a coveted spot at the Actors Studio, and it was then that he adopted the name Gene Wilder: Gene for Eugene Gant, the protagonist of Thomas Wolfe’s “Look Homeward, Angel,” and Wilder for the playwright Thornton Wilder.

In his first major role on Broadway, Mr. Wilder played the chaplain in a 1963 production of Bertolt Brecht’s “Mother Courage and Her Children.” The production ran for less than two months, and he came to believe that he had been miscast. The good news was that he met the boyfriend of the star, Anne Bancroft: Mel Brooks, who wore a pea coat the night he met Mr. Wilder backstage and told him, “You know, they used to call these urine jackets, but they didn’t sell.”

So began the conversation that ultimately led to “The Producers.”

Mr. Wilder’s association with Mr. Brooks led, in turn, to one with Richard Pryor, who was one of the writers of “Blazing Saddles” (and Mr. Brooks’s original choice for the part ultimately played by Mr. Little). In 1976, Mr. Pryor was third-billed behind Mr. Wilder and Jill Clayburgh in “Silver Streak,” a comic thriller about murder on a transcontinental train. The two men went on to star in the 1982 hit “Stir Crazy,” in which they played a hapless pair jailed for a crime they didn’t commit, as well as “See No Evil, Hear No Evil” (1989) and “Another You” (1991).

Mr. Wilder’s first two marriages, to Mary Mercier and Mary Joan Schutz, ended in divorce. In 1982, he met the “Saturday Night Live” comedian Gilda Radner when they were both cast in the suspense comedy “Hanky Panky.”

One evening, he recalled in “Kiss Me Like a Stranger,” he and Ms. Radner innocently ended up at his hotel to review some script changes. The time came for her to go; instead, she shoved him down on the bed, jumped on top of him and announced, “I have a plan for fun!” He sent her home anyway — she was married to another man — but before long, they began a relationship.

By his account, Ms. Radner was needy, obsessed with getting married and, once they married in 1984, obsessed with having a child, a project that ended in miscarriage just months before she learned she had ovarian cancer in 1986.

Of their first year of living together, he wrote: “We didn’t get along well, and that’s a fact. We just loved each other, and that’s a fact.” He left, only to find that he needed to go back.

Ms. Radner died in 1989. “I had one great blessing: I was so dumb,” Mr. Wilder once said of her last years. “I believed even three weeks before she died she would make it.”

In memory of Ms. Radner, he helped to found an ovarian cancer detection center in her name, in Los Angeles, and Gilda’s Club, a network of support centers for people with cancer. He also contributed to a book, “Gilda’s Disease” (1998), with Dr. M. Steven Piver.

Mr. Wilder himself developed non-Hodgkin’s lymphoma in 1999. With chemotherapy and a stem-cell transplant, he was in remission by 2005.

In 1991 Mr. Wilder married Karen Boyer, a hearing specialist who had coached him in the filming of “See No Evil, Hear No Evil,” in which his character was deaf and Mr. Pryor’s was blind. She survives him, as does a daughter from an earlier marriage. His sister died in January.

Even before he became ill, Mr. Wilder had begun slowing down. He made his first and last attempt at a television series, the short-lived and little-remembered comedy “Something Wilder,” in 1994.

He returned to the theater in 1997 in a London production of Neil Simon’s “Laughter on the 23rd Floor.” In 1999 he was a writer for two TV movies in which he starred, “Murder in a Small Town” and “The Lady in Question,” playing a theater director turned amateur sleuth. In 2001 he appeared at the Westport Country Playhouse in Connecticut in a program of one-act farces. Shortly after appearing in an episode of “Will & Grace” in 2003 — he won an Emmy for that role — he declared that he had retired from acting for good.

“I don’t like show business, I realized,” he said in 2008. “I like show, but I don’t like the business.”

He was by then enjoying a new career as a novelist. His “My French Whore,” published in 2007, was the story of a naïve young American who impersonates a German spy in World War I. (“Just fluff, but sweet fluff,” the novelist Carolyn See wrote in her review in The Washington Post.) It was followed by two more novels, “The Woman Who Wouldn’t” and “Something to Remember You By,” and a story collection, “What Is This Thing Called Love?”

But it was, of course, as an actor that Mr. Wilder left his most lasting mark. In his memoir, he posed a question about his life’s work, then answered it:

“What do actors really want? To be great actors? Yes, but you can’t buy talent, so it’s best to leave the word ‘great’ out of it. I think to be believed, onstage or onscreen, is the one hope that all actors share.”

Aug 292016

The Sarah Hyland Page

Sarah Jane Hyland (born November 24, 1990) is an American actress. Born in New York, Hyland attended the Professional Performing Arts School in Manhattan, followed by small roles in the films Private Parts (1997), Annie (1999), and Blind Date (2007). She gained her first major role as Haley Dunphy on the ABC sitcom Modern Family (2009–present), for which she has received critical acclaim and numerous accolades and nominations, sharing four Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series with her cast members and garnering a Critics’ Choice Television Award nomination Best Supporting Actress in a Comedy Series.

Celebrity Pictures . Sarah Hyland